I had grown up in the shadow of the 60’s.
Being born in 65, you could say that yes, I was a child of the era, but seeing that I would not be coming of age until well into the 80’s, what I picked up from that time period came directly from my older sister, Char, who was actually a senior in high school the year that I was born.
She spent my formative years raising me on the art, music, writing, pop culture of that time period and though I was so very small, it was not lost on me:
Being painted up with designs of psychedelic flowers and taken to the Griffith Park 1967 Summer of Love Love-in.
Studying the artwork in R. Crumb’s Big Yum Yum book; though my parents thought it was “inappropriate” for small children.
Going to the Glide church in San Francisco to get a hug from Reverend Cecil Williams and listen to the “Church of Rock n Roll.”
And of course browsing in the City Lights bookstore (where on any given day) we could have a chance run-in with one of the numerous beat poets my sister taught me to emulate and admire.
It wasn’t really a normal childhood but one that made me blessed with awareness of the greater world around me and the numerous possibilities that lay ahead.
And so, influenced by it all, I carried it with me over the years and hoped that someday… my path would cross with some of the greats of that time period.
So it was with profound joy, that in my early 20’s, just after finishing my first album with Hollywood Records, that I finally had my moment with Allen Ginsberg.
I couldn’t believe it.
I’d basically been waiting to meet the man since I was three and as luck would have it, he was signing books in Long Beach that week.
I couldn’t wait to see him.
I had no babysitter that day…
Joe, my husband at the time was “on the road.”
I was broke and waiting for my advance to come in from just making my first record.
But I didn’t care. I grabbed my son, who was just a baby at the time, grabbed my vintage Ginsberg books, one of which was a rare photo diary of the Beat Poets in Tangiers only 2,000 copies ever made, and off I went.
When I walked inside, I found a decent, yet modest line, and I was surprised that he hadn’t drawn more of a crowd.
But I stood there in awe: watching every move he made until it was my turn to approach him.
And when I was finally next in line, he finished talking to the person he was with and turned to look at me.
I think now I must have seemed so young to him, standing there in cut off shorts, an old pair of chucks, an old worn wife beater, a baby with a baby slung up on my hip and some of his oldest books clasped tightly in my hand.
I looked at his large eyes… what was left of his graying hair… he seemed a bit removed… stone-like, a Founding Father of literature…. looking at me as if I were puzzling to him… without a smile on his face… and I was immediately intimidated by his presence.
In a small voice, I told him how much his writing had influenced my own, how I hoped that he would sign these books I had brought with me, and that as soon as my advance came in from my record, I would buy his new book, but barely had enough money today to pay for the gas to come and see him. And then, I pulled my cd from my pocket and asked him if he would accept it as a gift.
He took the books and the cd from my hands.
He paused as he looked over the two books I had brought, before looking up at me and saying, “These books are older than you are.”
I smiled as he flipped through the photos of him frolicking with Kerouac, Burroughs and the others down in Tangiers.
“And this?” he said as he looked at my cd. “Is this spoken word?”
“No,” I said. Almost embarrassed that it wasn’t. But then I held my head up and bravely said, “It’s music. These are my songs. I wrote them.”
He looked at the photo of me holding the baby on the cd cover and then back at me holding the baby in real life.
He didn’t speak again.
He opened both books… signed them… and handed them back to me.
I smiled, thanked him, and remained in a daze the entire ride home.
I didn’t need much.
I wasn’t necessarily “star struck” but I was silenced by the magnitude of his work and the influence it had had on so many.
When I got home I put Dylan down to play and sat on the swing to look at what he had written.
In each of the books he had signed his name… the date… and then had printed a large A and a large H inside of a circle.
I didn’t know what to think.
What did it mean?
Why A.H.?
What was with the circle?
I felt a bit uneasy suddenly about the whole exchange. I began to wonder if this was some secret code to distinguish me as one of the jerks that hadn’t bought his new book and then I realized what it meant.
“Asshole,” I whispered.
Part 2 to follow