Perspective was easier in Positano, not because of five-star accommodations, but because of Positano itself, with its Easter-egg colored houses clinging to a cliff, its lemon trees in between homes, twisting toward the sun, everything appearing so old and still and lovely. Fewer than five-thousand residents live there. I saw some of their undergarments drying. Laundry lines crisscrossed several households; just outside my fancy hotel, someone hung men’s briefs and a large bra from a clothesline strung across a front balcony.
The Amalfi Coast seduces. I get it now. This was my second trip to Italy (the first one being in March 1996), but my first trip going beyond Italy’s cities and to the smaller places. Our hotel, Le Sirenuse, is an exceptional place that deserves all the praise that’s ever been said or printed about it. And it has a magnificent outdoor swimming pool. On the Saturday morning I had to check out, I finally had a chance to try the pool. It had been a chilly, wet week in Positano, the sun often coming out when I had to be inside for a writer’s workshop. But a few hours before check out, the sun was strong; morning felt like early afternoon. I changed into my bathing suit and slipped into the pool. Many of my colleagues were still enjoying breakfast, and while they finished their eggs and cappuccinos, I had what now ranks as the best swim in my life.
As a hotel pool junkie, this is a notable claim. I have swum in many fine hotel pools around the world; I have gone into debt to travel and experience these places just like I went into debt to travel and experience Positano. The conference and the people and the learning were unparalleled. I hope to attend again. But that swim—the warm water, the smell of the beach just a few steep staircases away, the sounds of the cliff waking up and beginning another weekend. Wow. Just wow. That’s the best I can come up with because you really had to be there. What else can I say other than I had the pool to myself for about 20 minutes, that gliding across the water, I realized Italy was letting me in on its secrets, and that was when I knew I had been completely seduced. I no longer felt guilty about the expense of being there. I wanted to swim until my skin pruned. I wanted to tell the taxi driver taking me to the train station that I had changed my mind.
Positano will balloon with tourists this summer. I was grateful to enjoy the region in early spring, when things are quieter and slower. Many shops were still closed for the winter; a gelateria across the street opened for the season during my week there. Other shops began to unlock their doors and hang out their shingles. Poverty used to plague this area during the early twentieth century, and by mid-century, Steinbeck and movie stars were showing up. Being a charming fishing village wasn’t enough anymore. Positano depends on tourism, it needs travelers to be swept away by its beauty, and to keep coming back.
Steinbeck is right: “it’s a dream place that isn’t quite real when you are there and becomes beckoningly real after you have gone.” I thought I arrived with all my practicality in check, and since leaving two weeks ago, I feel haunted by the place. I think about how vertical Positano is, how you ascend or descend to see things. Everything is up or down. You climb stairs carved into homes or the cliff itself or make your way along exceptionally narrow stone roads you share with Vespas zipping by, and if the stairs and roads have been washed by the day’s rain, you pray there’s a railing nearby to steady you. Public buses use these same roads, which blew my mind as I watched drivers handle hairpin turns with familiarity, not slowing down when I thought they should, but they knew Positano’s curves. I did not.
I hope to earn enough money to go back. Writing has been cheapened. Freelance gigs are harder to come by. Book advances are shrinking. Everyone jokes how there’s no money in publishing. Meanwhile, the cost of housing, health care and education have all gone exponentially up while salaries have flattened, editorial salaries being among some of the worst. It’s hard to make things work in the United States. In this election year, I hear many people say the American dream is dead. I want to say “Fuck money!” that I write for the love of language, that I write for the same reasons Steinbeck wrote, that I am compelled by passion, not income or status, which I’ve never really had anyway. And when I was in Positano, it was easier for those things to feel true. Now back in suburban New York, I fret constantly about money. I feel defined by my lack of it. New York is so expensive, and even robust paychecks don’t feel like enough. No one here hangs their laundry outside to dry. Landscapers are always around tidying up people’s gardens and yards. We own one car where most driveways have at least two, sometimes three, and often newer models. What your kid wears and where your kid goes to summer camp reflects how well you are doing. Here in my 1926 Colonial, around the corner from some newly-constructed McMansions, I am writing in my pajamas—as freelance writers do—and I’d like to lift my coffee cup and loudly proclaim “Fuck money!” but the silence that would follow would overwhelm me.